that have affected me deeply are Lion and Chandigarh Kare Aashiqui. Both very powerful in their own way.
Lion exposes a terribly unsavoury side of our country when the story line follows the plight of a small boy, 5 years old, who gets lost. It moves on to little Seroo’s adoption by an Australian couple who live in idyllic Hobart, Tasmania. 25 years later he tracks down his family with Google Earth, based on images that were engraved in his 5-year-old mind.
Chandigarh Kare Aashiqui, deals with deep questions that refuse to be kept under wraps anymore…. A typical punjabi munda falls in love with a girl who reveals that she is a transgender girl. The tensions of social pressure and family pressures are exposed. Further, the boy’s father, a widower, falls in love with a Muslim girl, revealing the underlying apprehensions and fears of an inter-religious relationship. In the end sanity prevails and there are happy endings all around but this film was an eye opener. These delicate issues have to be dealt with. The time for hiding these or pretending they don’t exist is over. It’s high time the underlying hypocrisy of civil society was exposed. I’m so glad and grateful that Abhishek Kapoor and his team, Supratik Sen and his team, and Bhushan Kumar and his team dealt with these issues in a refined and easy-to-understand way so that everyone can understand and therefore accept. Ayushmann Khurrana and Vaani Kapoor did full justice to their roles.
Don’t miss these films.